O'Brien, however, uses his own career as a writer (fueled by his experience in Vietnam) to blur the lines between fact and fiction in this novel. In the second half of the book, he'll return to stories from the first half and admit that, well, it didn't really happen like that or that kind of happened but it didn't happen to that character, it happened to me. And throughout the novel, stories are being told by characters and their technique is critiqued by other characters. O'Brien's point seems to be that the "truth" of fact doesn't matter; it's the emotional "truth," the larger "truth," that captures our experiences.
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